CHAPPIE REVIEW - Ex Machina

CHAPPIE REVIEW - Ex Machina

Alex Garland decides to take us on an ambitious mind-trip that proves risque and one that aims for the fences. Was his take on A.I. a home run? Well...

Review Opinion
By CHAPPIE2000 - Apr 23, 2015 06:04 PM EST
Filed Under: Sci-Fi

If you're familiar with Alex Garland (Dredd scribe), then you'll know how much he's been influenced by and influences Danny Boyle. It wasn't until I researched him after this movie that I gained this insight. As a fan of Boyle, I won't spoil which works Garland was a co-affiliate on, but trust me when I say his writing resume's worth its weight in gold. In his directorial debut, Garland elevates things even more as he takes a story he wrote and transposes it to a visually spectacular sci-fi canvas whose plot has more than enough legs to run on, nudging the audience (with some discomfort) in just the right measures. It had my friends and I discussing it way into the night and debating its themes and messages to prove my point. All in all, it's one of the most solid, sensual and provocative debuts I've ever seen.


The cast is spot on with Domnhall Gleeson and Oscar Isaac bringing great charismas and more so, a great chemistry to the screen. Gleeson's Caleb finds himself in the madhouse of a genius (Nathan as portrayed by Isaac) which definitely teases well for fans awaiting The Force Awakens. Caleb finds himself entwined in a web of mystery with artifical intelligence (represented by AVA who's remarkably brought to life by the enigmatic Alicia Vikander).

The story unfolds very hauntingly and the cinematography helps build the jarring scenes that poke and prod at issues such as God, existentialism and of course, humanity. Webs of deceit start to unfold on our unsuspecting protagonist which ends up spiraling into one of the biggest mind-games I've seen in a while. Think Gone Girl meets Kubrick meets A.I.

The ending's really well worked and feels organic which is a huge thing given that many writers have tried this mechanism and risk - only to miserably fail. Garland's story has the right doses of flair and substance to it as it touches on a lot of human emotions that'll surely elicit responses earmarked by the audience questioning a lot about life, loyalty and ultimately, trust. Ex Machina is a visceral novel that unravels in a manner that leaves you begging for more. The mid-third feels a bit loopy but minor flaws aside, it's astounding and sci-fi done right. It's character-driven and they all deliver in spades. Kudos! 

Grade: A
MEGALOPOLIS' CinemaScore Is WORSE Than Any Superhero Movie Ever Released In Theaters
Related:

MEGALOPOLIS' CinemaScore Is WORSE Than Any Superhero Movie Ever Released In Theaters

Francis Ford Coppola's (Who Called Marvel Despicable) MEGALOPOLIS Will Flop This Weekend With $5 Million
Recommended For You:

Francis Ford Coppola's (Who Called Marvel "Despicable") MEGALOPOLIS Will Flop This Weekend With $5 Million

DISCLAIMER: ComicBookMovie.com is protected under the DMCA (Digital Millenium Copyright Act) and... [MORE]

ComicBookMovie.com, and/or the user who contributed this post, may earn commissions or revenue through clicks or purchases made through any third-party links contained within the content above.

TucksFrom2015
TucksFrom2015 - 4/23/2015, 7:11 PM
you lost me at "the enigmatic @Niklander"
blackandyellow
blackandyellow - 4/24/2015, 4:02 PM
This movie looks dumb as hell from the commercials. Some lonely fruit makes himself a [frick] robot and it turns on him. PASS.
View Recorder