Elizabeth Olsen Confirms That She'll Play 'Scarlet Witch' In AVENGERS: AGE OF ULTRON

terrible casting.

Kool.. Figured as much

@NovaCorpsFan
I can't be killed...healing powers remember

Nomis

Pretty sure they meant in Godzilla.

Poolio

Oh shit yeah... QUICK DROWN HIM WITH ALCOHOL!!!

It's a little odd how Aaron Johnson makes out with Hit Girl who's so much younger than he is, and then in real life he's with a woman much older than he is. Just a little odd. He's cool though. This girl's cool, too.

I GOT THIS FROM SLASHFILM AND ITS ABOUT THE THOR ADDITIONAL PHOTOGRAPHY THEY DID AND WHAT SCENES JOSS WORKED ON!!

First up, I asked Taylor about the reshoots and while he was very clear to say they were not “reshoots,” but “additional photography,” he gave some insight into the Marvel process:

It’s my experience with the Marvel process they save a portion of the budget for this and what we were basically doing. A lot of it was getting more Loki stuff, because we realized how successful he was in the movie, so we sort of “Loki-ed it up” a little bit.

So what scenes specifically?

Well there’s a scene that we probably shouldn’t identify too much, that’s one of the funniest scenes in the movie where Loki’s a shapeshifter. That was a very, very late addition. And there’s a connective thing at the beginning that bridges from The Avengers story to sort of explain how Loki is in prison or why he is in prison. That was a very, very late addition. That was probably “more Loki is a good thing,” but also we decided it was an expositional link that was needed for the audience. So those are two examples of Loki stuff.

After the prologue, that bridge scene is the first scene in the movie. You see Loki before you see Thor.



Taylor also spoke up about the Whedon thing and how it’s a normal part of the Marvel process:

Also, with the Marvel process, at least with my experience with this one, is the script is in flux not up until you shoot; it’s in flux while you are shooting. I got into trouble for saying Joss Whedon had come in and rewritten some scenes we were shooting and I stand by it, it was great. He came in. He’s a genius. He fixed the scene and left, but the rewriting process continues through post as far as they were concerned. That takes some getting used to. It wasn’t a negative process, it was just a different process. Coming from TV, the writer is god, and you have a script and that’s what you do. In this one the script is like the last thing. I think we worked out the script right before we locked picture.

So, again, which scenes did Whedon write?

The thing he was brought in to help with was not a comedy scene, it was an emotional scene between Thor and Jane. I think he also did a pass with one of my favorite scenes, Thor and Loki talking in the Asgardian skiff at night when the brothers actually have time together to talk. That was one of my favorite scenes and I think he had a pass on that.

Later, I asked Tom Hiddleston about the additions and he both confirmed Taylor’s examples were the only two, and spoke about shooting them:

[The bridge scene and morphing] were the only scenes [added], yeah. What does it do, adding scenes? It’s interesting, because I had actually always wanted there to be that scene with Odin. I remember saying when I first got the draft of the script, “Shouldn’t he have a scene with Odin where you see them lock horns one more time?” So I was very glad to do that and I think it makes more sense of the references to Odin all the way through the film.

And the morphing scene was just so fun. It was just adding more mischief, more playfulness to the character. His charm is so much of the character and is a facet I love to play. I suppose the challenge of adding stuff later is just trying to capture the same psychological and emotional continuity, because there were many months between… Of course when you’re shooting, that’s when you’re focused solely on that particular job and then once you wrap you go off and get distracted by other things, other projects in your life. So it’s having the discipline to shift back into the right gear, but it was worth it.

So, when you see Thor: The Dark World later this week, those are three particular scenes to be on the look out for. The first scene after the title, which is a bridge from The Avengers. That was a late addition. A Loki morphing scene, also a late addition with a Whedon touch. And an emotional scene on a skiff between Loki and Thor, which Whedon wrote.

^That shit real?

@NovaCorpsFan

is uncle jesse playing luke cage aswell ................

Nothing against Elizabeth, but Emma Watson would have been a better choice.

Things are heating up.

I think Nomis is excited with the notion that Marvel Studios may have their first love scene!

Mark Millar is a sick man. He made characters commit incest, had a rape scene in a comic, shows really unnecessary amount of gore and his excuse... "I'm just your average Scot, HAHA!"

[frick] YOU, YOU HACK!!!

Great casting.
She's a very very talented rising star, who's definitely here to stay.



Saoirse Ronan looks more like she could be Aaron Johnson's twin. But because she turned it down, they chose the best replacement. She's awesome.

Everytime I see the incest brought up I get pissed. I hate Millar and I hate the Ultimates. If they want to use the costumes and some of the modernization tactics in Ultimates fine but keep it 616 all the way. How ignorant and idiotic is it too assume that the only way a brother and sister can be so close is if they're banging each other?

The only good thing to come of the Ultimates is black Nick Fury. Beyond that A) Captain America is an a**hole B) Thor sucks and so do his groupies C) Incest twins! D) Hulk eats people WTF? E) Hank Pym = biggest loser ever F) Banner = second biggest loser ever G) Wasp has larval nests. I'm glad Fox has Mark Millar. Keep him the hell away from the MCU.