EDITORIAL: The Power Of The Haunting Ending In Comic Book Movies

EDITORIAL: The Power Of The Haunting Ending In Comic Book Movies

Some movies choose to end their films on a bleak, shocking, or even sad note; while others choose to end the film with everything coming up milhouse. While I can respect the latter, I think there's room for a not so happy ending in comic book movies. Read on for more details.

Editorial Opinion
By Hulksta - Jun 07, 2015 07:06 AM EST

*If this wasn't apparent from the nature of this article, I will be spoiling MANY films. Including Avengers: Age of Ultron, X2: X-Men United, The Dark Knight, The Thing (82'), and a few more*

"You Die A Hero, Or Live Long Enough To See Yourself Become The Villain"
-The Dark Knight

When approaching the preview screening of Avengers: Age of Ultron a while ago, I was eagerly anticipating what looked to be a darker tale in the Marvel Cinematic Universe. While I would say that Age of Ultron was a good film (FULL REVIEW). I also felt like there was something missing from it. That was an ending that packed a punch. We've seen the heroes best the villains countless times, but what if they can't? Heroes can't save the world all the time right?

Before the lead up to Age of Ultron's release I got bothered by this interview by Ew.com regarding Empire Strikes Back and Joss Whedon's views on that ending, to which he said:

Empire committed the cardinal sin of not actually ending,” Whedon noted during his 10-page deep-dive interview with Entertainment Weekly in this week’s issue. “Which at the time I was appalled by and I still think it was a terrible idea.”

To which your EW interviewer blurted: “You think Empire had a bad ending?”

“Well, it’s not an ending,” Whedon explained about the 1980 film, which had a cliffhanger leading into the next entry of the series, Return of the Jedi. “It’s a Come Back Next Week, or in three years. And that upsets me. I go to movies expecting to have a whole experience. If I want a movie that doesn’t end I’ll go to a French movie. That’s a betrayal of trust to me. A movie has to be complete within itself, it can’t just build off the first one or play variations.”


That bothers me, I don't think that Empire left things off really in a forced cliffhanger. It was the lowest point for the heroes, and they had to band together to bounce back. I don't think every film can pull this off; those who can certainly do it with purpose, as is the case with Empire in my opinion.

I have to admit to a bias of sorts. My favourite films of all time include the likes of The Thing (82'), Zodiac, and Seven. All three of these films end on a less than happy note. The 'villain' wins in a loose sense. Whether that be a shapeshifting alien, or serial killers, it's interesting that for me I tend to gravitate to these endings.

Some of the best endings in my opinion come not from victory, but defeat. It adds weight to the characters drive, and gives them a reason to keep on fighting (or give up, depends on the character really). However, regardless of the end goal, it's an interesting tactic taken by writers and directors.


The Dark Knight was obviously a landmark comic book movie in many regards, and its ending is one area where it bucked the trend of having the hero get the happy ending. The final scene, of having Batman take responsibility for the crimes commited by Harvey Dent and accept the blame, knowing that doing so will preserve peace in Gotham. It's in many ways shocking and sad considering what else Batman has gone through throughout the film. However, at the very least there was that light at the end of the tunnel!

X2: X-Men United also had a great ending in the sense that there wasn't much hope at the end of things. I mean, yes the X-Men survived and things were seemingly ok with the U.S. Government. Wolverine finding out very little about his past,  coupled with Jeans death. It's easy to forget or write off this ending simply because The Last Stand did so little to deliver on hat happened, but if you look at it on it's own it's still a very shocking and sad ending.

Even to show a point where an ending was changed just to keep the franchise ongoing! Many of you might have seen Rambo: First Blood. The original ending was to have John Rambo end his own life. The canonical ending is that John surrenders to the authoirities and is taken into custody. In terms of the story, it makes more sense to have the original ending considering the themes of the film. However it's hard to carry on a franchise with a dead protagonist!


Joss said he doesn't like the ending to Empire Strikes Back and I get that. At the same time, it's odd. In the final act of the film, where Tony and Steve are presented with this impossible choice, Nick Fury magically appears with a Helicarrier ready to assist. This bothered me, as the set up certainly had me think that the team have to make the impossible choice, with inevitable casualties along the way. Instead the team is given the best way out with no casualties (minus Quicksilver). Not only did it seem far fetched, but it seemingly betrayed the idea of what the film was building up to, and that was a point where the team truly divides itself over a major issue. Not only would an ending where people die, and Steve and Tony are truly at eachothers throats give precedent for Civil War, but it also would've shown that the heroes don't always win, and that was a recurring theme throughout the film.

I think it's easy to have the heroes victorious at the end of any film. While I'm not saying every movie should follow one template or another. I think that films these days try to play things a bit too safe; and tend to take the easy way out in terms of storytelling. Especially with the current climate of shared universes. To me it feels disingenuous at times. Maybe that's too much of a world weary view of the world; that sometimes instead of a happy and cheerful ending, things are just a bit more grim and nihlistic.

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Hulksta
Hulksta - 6/7/2015, 8:27 AM
@KingPatel how does this look for front page?
CombatWombat
CombatWombat - 6/7/2015, 8:56 AM
"The Mist" had an ending like this.

JvIce
JvIce - 6/7/2015, 8:58 AM
Jean could've controled the plane from the inside tho.
CombatWombat
CombatWombat - 6/7/2015, 9:00 AM
Uh ... ignore the Smash Mouth song at the end...
CombatWombat
CombatWombat - 6/7/2015, 9:06 AM
Has anyone seen "Buried"? I think yhat was probably the best Ryan Reynolds performance I've ever seen. I remember the ending really stuck with me too. Great movie.
LEVITIKUZ
LEVITIKUZ - 6/7/2015, 9:09 AM
In the final act of the film, where Tony and Steve are presented with this impossible choice, Nick Fury magically appears with a Helicarrier ready to assist. This bothered me, as the set up certainly had me think that the team have to make a choice, with inevitable casualties along the way. Instead the team is given the best way out with no casualties (minus Quicksilver), and not only did it seem far fetched, but it seemingly betrayed the idea of what the film was building up to, and that was a point where the team truly divides.

Yea this bothered me too and why I describe AOU like Star Trek Into Darkness. I say that because Into Darkness basically wanted to remake Wrath of Khan but they took none of the risks Wrath of Khan did like Spock's death for example. We saw Kirk be the one who died but due to Khan's magic blood, Kirk came back from the dead.

AOU felt too safe. How Fury just so happened to have a helicarrier and them getting all the people off safely. I didn't like it. I just love villains too much and rather see the villain win and I feel the loss of life is more important than the loss of a city. You can rebuild a city in time but you can't rebuild life.

I feel like you could also add Spider-Man 2 into this. Sure it wasn't the final scene but the scene at the end where Harry finds out his father was the Green Goblin was shocking and left the audience wondering what will become of Harry in the next film. Will he take up his father's mantle and be the main villain or not? I mean we saw Harry in 1 how him and Peter were great friends and even in 2 how they were good friends at times but they did butt heads at times also and now Harry with the knowledge of both who was Spider-Man and who was the Green Goblin and it just felt you wondering.

I like part 2s like that that leave you wondering.

Also not trying to nitpick @Hulksta but if you want it on the main, there are some spelling and grammar mistakes. This sentence in particular.

I mean, yes the X-Men survived and things were seemingly ok with the U.S. Government, but Wolverine finding out little about hsi past, Jeans death.

It should be about his past and Jean's death.
LEVITIKUZ
LEVITIKUZ - 6/7/2015, 9:11 AM
@CombatWombat

Buried was good. Safe House was probably my favorite Ryan film.

There's a film he's doing where he and Ben Kingsly are like the same guy or something like that and he looked good in the trailer for it.
MisterSuperior
MisterSuperior - 6/7/2015, 9:48 AM
I too would've preferred a darker ending for AoU. The subtitle makes zero sense because of the lack-of a darker ending and was only the Week of Ultron.
Hulksta
Hulksta - 6/7/2015, 10:27 AM
@KingPatel I made some revisions, so feel free to take a second look if you have a chance.

@LEVITIKUZ thanks for the heads up, I'm terrible for editing my own work.

@CombatWombat I totally forgot about The Mist but yeah, great ending.
TheManWithoutFear
TheManWithoutFear - 6/7/2015, 11:28 AM
Nice editorial. The Dark Knight has my second favourite ending ever (the favourite being Spider-Man 2). It's great because the villain didn't win. Batman was willing to do whatever it takes to make sure of that, and sacrifices his reputation.

In AOU, the helicarrier showing up out of nowhere bothered me loads at the time, but now that i've caught up a bit on AOS (don't know if you watch that), i think it's AWESOME.
MaximusTheMad
MaximusTheMad - 6/7/2015, 1:57 PM
@Hulksta

Great article man! I've never thought of the endings of CBMs as reflections of their quality and willingness to take risks.

Continuing some of your points, I'd also like to point out the endings of Raimi's Spider-Man 1 & 2.

The first Spidey movie had a really downbeat ending (ESPECIALLY by today's standards) with Peter Parker's uncle dying, then his best friend's nice father, who turned out to be a flying green power ranger psychopath. The death of Norman Osborn also made Peter's best friend Harry a sworn enemy of Peter's alter-ego. Adding to all these troubles is the fact that Peter realizes he can never be with the love of his life, Mary Jane, because of the danger she will be in. This ending really illustrates the cost of great power and great responsibility.

In Spider-Man 2, all Peter's troubles with balancing his double life come to a head, as he is both exhausted physically/mentally and sad, because his power and responsibility don't allow him to have what he wants and needs. I think this overwhelming stress and lack of control manifests itself as Spider-Man's symbolic loss of his powers. Without going too deep into the plot, Peter is still conflicted regarding his feelings for MJ and the dangerous life she'll have as a part of Spider-Man's life. However, Peter goes through with it and reveals himself to MJ, and they get together. It seems like things are finally getting better for our hero.

This is the part where I'd talk about the ending of Spider-Man 3, but that movie sucked, and it didn't really have and ending as much as a weird final scene where Peter and MJ dance in a jazz club... However, the beginning is worth mentioning, since it builds upon the developments of the previous movies. Here, we see both Spidey AND Peter on top as his life is flourishing with good grades, a great relationship, and Spider-Man is loved by the city. That's all great stuff but what comes after is just a mess. I really think this movie had potential, because they could really have given the audience a gut punch by showing the return of the infamous Parker luck by tearing down everything Peter has achieved so far. Raimi might have thought so too, but it seems like it got messed up by all the shoehorning of symbiotes, and Venoms, and emo dance scenes.

Once again, great editorial, and thanks for letting me vent a little.
Oxbow
Oxbow - 6/7/2015, 7:48 PM
I agree with you about AoU...I thought Ultron was the perfect mix of genius and insanity, and should have done more to warrant the title of the movie that they went with!

That being said, I really disliked TDK's ending. It's nice that it was different but not at the cost of character and story. Batman would never give up. He wouldn' run away from justice or keep a lie like that going because some Gothamites might get their panties in a bunch over Harvey Dent's issues...especially not for 8 years. If you look back at that trilogy, that ending made it so that he was only Batman for a year and change, tops. So, while it was emotionally satisfying to a degree, for me, TDK's ending and aftermatch ruined the trilogy that could have been..
TheAcuario
TheAcuario - 6/7/2015, 10:04 PM
This is why I liked Man Of Steel you felt the stakes for the Earth were high but also the viewer can actually tell the casualties and that Superman is not able to save everyone. The film didn't play it safe which is what I liked. The Dark Knight has my favorite ending so far.
sikwon
sikwon - 6/8/2015, 6:18 AM
I can understand why folks didn't like the Hellicarrier scene in AoU. Personally I loved it for a few reasons... 1. Cap (and the other Avengers) were rewarded for their hope and the desperation they showed, including QS's sacrifice, to save as many lives as they could. 2. The Agents of Shield pay off. The Hellicarrier didn't come out of thin air, those of us that watch the show knew what was going on and from that perspective it was perfect. 3. Cap saying "this is what Shield is supposed to be". That was validation for his actions in the Winter Soldier. Remember that in that movie Cap tore an enormous organization apart, exposed decades worth of secrets to the world and then went to war with Hydra all behind his principals and convictions. As much as the creation of Ultron was about Stark and his fears and traumas the ending was about Cap and his principals and convictions (the strength of his convictions and willingness to not compromise at any cost). Those were character arcs on a grand scale. And I think you will get your "heroes are in grave danger, villain's are winning cliff hanger ending" in Infinity Wars part 1. Maybe even Ragnarok but I doubt it. As much as Joss wants to tell a self contained story he was still able to push the characters development forward while validating their past actions and decisions. For example Tony simply does not learn from his mistakes. For all intents and purposes Ultron is a super upgraded version of the Iron Monger Armor. It was Tony's design that got beyond his control. This has happened in IM 1, IM 2 and now AoU. He simply does not learn from his mistakes. Even Im3 it was his hubris that caused the Extremis project to develop in the direction that it did. I thought this was another area of story telling and character development that AoU just excelled at. Couple that with the warped image element of Ultron to Stark and I really think people aren't giving AoU the credit it deserves in terms of story/character and continuation of the heroes journey.
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